By Angelyn Mitchell
The essays during this collection—many of which aren't commonly to be had today—either initiated or gave severe definition to express classes or routine of African American literature. They handle concerns reminiscent of integration, separatism, political motion, black nationalism, Afrocentricity, black feminism, in addition to the position of artwork, the artist, the critic, and the viewers. With decisions from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and so forth, this definitive assortment offers a dynamic version of the cultural, ideological, historic, and aesthetic concerns in African American literature and literary criticism.
A significant contribution to the examine of African American literature, this quantity will function a beginning for destiny paintings by means of scholars and students. Its significance should be famous by means of all these drawn to smooth literary conception in addition to common readers desirous about the African American experience.
Selections through (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright
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Additional info for Within the Circle: An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present
But the formula of the Nineties,-atavistic race-heredity, still survives and protrudes through the flesh and blood of the characters. Using Peter as a symbol of the man tragically linked by blood to one world and by training and thought to another, Stribling portrays a tragic struggle against the pull of lowly origins and sordid environment. We do not deny this element of tragedy in Negro life,-and Mr. Stribling, it must also be remembered, presents, too, a severe indictment in his painting of the Southern conditions which brought about the disintegration of his hero's dreams and ideals.
Mr. Stribling'S book broke ground for a white author in giving us a Negro hero and heroine. There is an obvious attempt to see objectively. But the formula of the Nineties,-atavistic race-heredity, still survives and protrudes through the flesh and blood of the characters. Using Peter as a symbol of the man tragically linked by blood to one world and by training and thought to another, Stribling portrays a tragic struggle against the pull of lowly origins and sordid environment. We do not deny this element of tragedy in Negro life,-and Mr.
With Thomas Dixon, of The Leopard's Spots, we reach a distinct stage in the treatment of the Negro in fiction. The portraiture here descends from caricature to libel. A little later with the vogue of the "darkey-story," and its devotees from Kemble and McAllister to Octavus Roy Cohen, sentimental comedy in the portrayal of the Negro Similarly degenerated to blatant but diverting farce. Before the rise of a new attitude, these represented the bottom reaction, both in artistic and social attitude.