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Download The Freedom Rides and Alabama: A Guide to Key Events and by Noelle Matteson PDF

By Noelle Matteson

This concise guidebook offers a short assessment of the 1961 Freedom Rides, a vital second in American historical past within which an interracial workforce traveled around the South to protest segregated transportation.

The Freedom Rides and Alabama makes a speciality of the liberty Riders’ studies in Alabama, from the firebombing in their bus in Anniston to surviving beatings in Birmingham. a wide section of this publication describes the riders’ arrival in Montgomery, together with the violent white mob that greeted them and the resultant mass assembly first and foremost Baptist Church, the place leaders equivalent to Martin Luther King Jr. and Fred Shuttlesworth spoke.

This quantity places the liberty Rides in old context and is released at the side of the Alabama old fee to have a good time the hole of a Montgomery museum on the website of the Greyhound station the place the liberty Riders arrived on their trip south, devoted to the heritage of the liberty Rides at the social gathering in their 50th anniversary.

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Additional resources for The Freedom Rides and Alabama: A Guide to Key Events and Places, Context, and Impact

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7 Even so, the linkages are intimate and many, and in one respect more than most. In If They Come in the Morning, a political anthology of writings published in 1971, Davis reprints her address to the California court when, amid the drama of Black Power, she was charged with ‘murder, kidnapping and conspiracy’. 8 Davis’s ‘stance of self-representation’ and Douglass’s ‘written by himself’ mirror one another almost to perfection, each steeped in transgression, legalism, an insistence upon respective kinds of self-authoring.

There he becomes ‘Red’, zoot suited, conked, a restless hustler of drugs and street crime. In Boston, with his step-sister Ella, he becomes ‘Homeboy’. In Harlem he graduates even more into the full-time pimp, numbers man, drug pusher and thief (‘I had seen a lot, but never such a dense concentration of stumblebums, pushers, hookers, public crap shooters, even little kids running around at midnight begging for pennies’) and on account of his ‘marinny’ hair acquires the monicker of ‘Detroit Red’.

I subscribe myself ... FREDERICK DOUGLASS’. So he takes his bow at the close. In fact, Douglass is playing counterfeiter, auteur, a name whose very composition, and compositeness, he has every reason to emphasize. ‘Frederick Augustus Washington Bailey’, ‘Frederick Johnson’, plain ‘Frederick’, ‘Frederick Douglass’ and ‘FREDERICK DOUGLASS’: in each of his previous namings he implies slavery’s power as much to unauthor as to author. In his own eventual formulation, however, he insists upon his own newly acquired and countervailing power to shadow and reverse the process.

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