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Additional info for New Encyclopedia of Drawing, Painting, and the Graphic Arts
Place Second, observe the proportions of the will as well as the specific can appear strained him in a light that remain constant. Since a diffident approach results in a features. Then make if most striking natural an expression as possible. If his predominant characteristics. whole face and head that are mind— no one by incidentals viduals—and on a great deal of practice. First irrele- vant effects or pointless details, concentrate getting a good likeness dull drawing, don't begin to a simple, undetailed work- draw until you have studied the face thoroughly and ing drawing of these proportions.
Despair; in helplessness The gestures of the hands dictated by emotion are innumerable, and, efficient as they are as tools for our daily life and work, their emotional expressiveness must These nervous, pliant, yet strong instruments must be drawn with nervous emotional lines and tones. Study the diagrams of basic hands here and, using your in every actions. appear in our drawings, or we have not understood them. 45 own position, as models, draw them performing countless They are not difficult to draw well.
S* I and Head Throughout have strived man the ages great painters to capture the essence of a by analyzing and depicting his face and head. Given the same height, weight, age, guish one from it is almost impossible to distin- woman from another with another or one man and head coneven oi the same age face cealed. Hut two litads, and with the same coloring, are readily identifiable. The and contour would be no more distinguishing than the differences in bodies were it not slight variation in size of hiads for the features, which, in endless subtle ways, are different in shape, position, and color from face to face.