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By William Shakespeare, Liang Shiqiu

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Extra info for Anthony and Cleopatra (The Complete Shakespeare Translated by Liang Shiqiu, Book 35) (Bilingual Edition)

Sample text

Plutarch . . explicitly says that Cleopatra was not beautiful, nor is she shown with idealized features on ancient portrait coins” (p. ). Apparently allure, like race, is also visible only in the body. The classic text here is Richard Dyer, “White,” Screen  (), –. Also see bell hooks, “Representations of Whiteness,” in Black Looks, pp. –; Theodore Allen, The Invention of the White Race,  vols. (London: Verso, ); and David Roediger, The Wages of Whiteness: Race and the Making of the American Working Class (London: Verso, ).

Deane here recapitulates Gates’ rejection of a vulgar Afrocentrism’s obsession with racial essences, but also, unlike either Gates or Lefkowitz, emphasizes its roots in a legitimate struggle for political and cultural liberation. What Lefkowitz represents as a question of how to reconstruct knowledge of the historical past should also be understood, at least in part, as a fight for discursive power to shape political agendas in the present and future as well. Race – whether understood as a bodily or a social phenomenon – is a central weapon in this discursive struggle.

The academic controversy has been usefully recorded in a special issue of Arethusa, “The Challenge of Black Athena,” Fall , and in an Arethusa forum, “Black Athena: ‘Race,’ Bernal and Snowden,”  (), –. Daniel Tompkins and Bella Zweig chaired a three-year colloquium of the American Philological Association to seat panels on ethnicities in the ancient world at its annual meeting.  (), –. In Walter Cohen, “An Interview with Martin Bernal,” Social Text  (), Bernal remarks that he had “misjudged the field of Classics, seeing it as a hostile monolith.

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